Thursday, September 13, 2012

4:Play Review

Review on 4:Play (full version / reader email):

So:

((((((( HUG )))))))

Jess, I'm really enjoying your writing, so far. For what it's worth, I happen to earn really good fees for being a "book doctor"/ "book whisperer" for other writers. Well, my honest opinion is that your writing is engaging, compelling, highly original, and... extremely well-crafted. Hope this doesn't make me sound too cynical as an editor, but not many writers have your combination of:

(i) creative genius and the originality; AND
(ii) the level of craft and skill to express that powerfully and effectively.

As a consultative editor/ "combat editor", I get hammered DAILY by examples of how really talented writers can fail to do justice to their talent because their craft is weak or because they are not aware that writing is a craft not a form of occupational therapy. Not you. So thank you for respecting me, as your reader, by mastering the "craft" side of your writing so well and using it to help your readers "get" your work!

In my humble opinion, you hit the sweet spot between "substance" and "entertainment". The fellow writer in me loves the blithe (but very assured) way in which you control ( absolutely control...) this balancing act, in a genre where it matters so much. Heh, I *love* your way with words ("glass practice weapon of choice" got an air punch from me, and I chuckled over the idea -- also in Oral Fixation -- of a guy thinking casually of jizzing all over his ex-GF's panty/ goodie drawer).

My favourite story so far is the (last) one about Yin and Julian; it's a serious piece but you control the "seriousness" so well that it kind of mugs your reader; I particularly like the you maintain certain level of "breeziness" so that your reader never feels like he/she is being taken hostage by the author's agenda:

"She knew she was safe with Yin. He'd never grope her, teabag her if he found her asleep or passed out with her mouth wide open, exploit her for his own gain."

:D

Okay, I'll "shut up" already! Take care.

-- XP | Reader/Customer Email, 2012 (Asia)

-- Short Version posted on 4:Play page on jessINK

Monday, July 16, 2012

Author Interview, Anonymous


After the Bath, by Edgar Degas
Author Interview #10, with anonymous author #1 (who might write under a pseudonym one day--so as not to shock and offend many of his current readers)...

* * * * *

Jess: Have you written erotic-themed material? Why or why not?

Anon: I have. Because human sexuality (namely, mine) interests me, and fiction allows us to explore things in a sort of intellectual playground environment where consequences cease to matter, thus allowing for experimentation that might be impractical or unwise in the real world. Erotica is to sex what action/adventures are to testosterone.

Jess: Cool! How do you differentiate quality erotica (as an art form), from pornographic writing?

Anon: I'm tempted to say "the caliber of the writing", but I suspect that the ugly truth is that good prose in erotica is like a clean and well-informed employee at a comic book shop: a pleasant surprise, but not exactly necessary.

No, I suspect the thing that most differentiates erotica from porn is the emphasis on the psychological/emotional aspects of human sexuality. Porn treats sex like biology, where erotica treats it like the delectable desert at the end of a long, intricate, many-course meal. Erotica is dark chocolate melting on the tongue; porn is Lucky Charms eaten out of the box by handfuls.

Jess: Very lyrical ;) I shall now ask how you would respond to the following statement:
“I am very put off by the notion of 'literate smut', as if any porn is intellectual, that erotica needs to have a high and low art distinction. I think this is just a pretentious way for people to excuse their taste for pornography.”
-- originally posted on http://www.barbelith.com/topic/925

Anon: I would not deign to respond to such a statement, since it is likely posited by someone who has been taught to view sexuality as a vice and is likely not in touch with his/her own sensual nature.

Jess: What a succinct response :) What inspired you to write erotic stories/poems/etc.?

Anon: What were, at the time, unrequited fantasies and curiosities. As explained above, fiction allows a playground where the impractical, unsafe or impossible can be explored in great detail. Later, erotica allowed a place to condense memories and experiences into a more concrete, fictionalized account that could be revisited and enjoyed again.

Jess: Do you always follow the "safe, sane, consensual" credo?

Anon: Technically, yes. I do tend toward a more kinky angle where the consensual bit is often a little murky. I suspect all adults know that sometimes it is better not to have permission. In my fiction, however, as in real life, it is only sexy if her "resistance" is obviously token, covering up her obvious hopes that he does not abandon the pursuit of her.

Jess: What do you think readers will find most notable about your book(s)?

Anon: Hopefully the believability of the interactions, the not-just-sexual depth of the relationships, and my ability (which I admit may only exist in my own head) to understand and write from the woman's perspective.

Jess: In order to write on certain experiences, you would have to either research or live the life. Which describes you as the writer?

Anon: Initially, I wrote neither from research of real life. I wrote from imagination. It was surprisingly effective.

Later, of course, I added repeated layers of experience to my stories. Also, having discussed erotica and sexuality with many people in a (mostly) platonic environment, I suppose that would count as research.

Jess: Do you think erotica caters to a male or female market (or does gender of the target audience not matter)?

Anon: I suspect that, while interesting debate on the topic is surely possible (and probably a lot of fun), we all know that literary erotica caters to a mostly female audience. The reasons for this are frustratingly stereotypical: men have the capability to be fully aroused by the mere sight of an attractive woman, whereas women are more drawn to the psychological processes of attraction. Literary erotica excels at the latter, this making it ideal for the lip-biting of sensuous women, but less geared toward the hair-trigger visual-arousal of the average man.

Jess: Are there any topics you will NOT tackle, with regards to sexual behaviors and attitudes?

Anon: Not much. The only prerequisite is that I, as the author, find it intriguing and attractive. Thus, for example, I would write very bad homosexual erotica.

Jess: Please share with us a short excerpt and blurb of your work (10-100 words).

Anon:

Call it inhibition, or propriety, or simply not being "that kind of girl", it didn't matter. He scolded himself for becoming distracted, even as they sat and talked, with thoughts like 'beyond that closed door she gets undressed every night', and 'just down that hall is the shower where she soaps herself up every morning'. When she took his glass to the kitchen, he actually smacked himself lightly on the cheek, ashamed of his erotic daydreams, even while in her presence.

Jess: Thanks so much for sharing your perspectives on the art of erotic writing :) Best wishes with both life and literature too!

* * * * *

ANONYMOUS (in his own words):

Anonymous (not the Anonymous who is the author of "Primary Colors", although that would be nice) is author of young adult novels with a worldwide readership. He also blogs, rambles, and offers opinions to anyone willing to listen. Or not.

JESS C SCOTT:

Jess is the author/artist/non-conformist behind jessINK (her indie publishing division). One of her specializations is erotic literature.

If you are reading this and you write, in whatever genre, and would like to share your views via a similar interview, just check out/fill out the form at Author Interviews. Jess will email you with the link once it is posted.

Jess is available for interviews too. Drop her a note at missfeyATgmailDOTcom :)

Sunday, June 24, 2012

Author Interview, Larry Frisby

Image copyright 2011 Beverly Brown
 Author Interview #9, with author of "The Pink Machine," Larry Frisby!

* * * * *

Jess: Have you written erotic-themed material? Why or why not?

Larry: I've written two erotic/experimental books(both related), called "The Pink Machine" and "Magenta." I wrote them because life chose to rip something out of me; and, because I'm a writer, it came out in written form.

Jess: Ah, that good ole "rip" feeling. How do you differentiate quality erotica (as an art form), from pornographic writing?

Larry: To an artist, I think the distinction would be as plain as the difference between lovemaking and rape. Artistic erotica is a portal into a universe of agony, ecstasy, transmutation and connectivity, while mere pornography, in comparison, is more like a dirty film of sticky dust on the skin of what we find beneath the surface of psychology and sex/sensuality.

Jess: Excellent -- I couldn't have said it better myself ;)! I shall now ask how you would respond to the following statement:
“I am very put off by the notion of 'literate smut', as if any porn is intellectual, that erotica needs to have a high and low art distinction. I think this is just a pretentious way for people to excuse their taste for pornography.”
-- originally posted on http://www.barbelith.com/topic/925

Larry: First, I would question the creative depth perception of a mind this narrowly composed. You almost have to be qualified to comment meaningfully on erotic art; because, if you're not, no amount of intellectual power you may otherwise possess will enable you to see through or past the sticky film (let alone the skin) I mentioned above that forms the border between these ideas. An outsider would assume we're just splitting creative/literary hairs, with no true sense of the world they stood on the intangible cusp of.

Jess: What inspired you to write erotic stories/poems/etc.?

Larry: An extreme intersection of loss and desire. A beautiful and faithless muse. A heart that roamed and returned. The truth that, for all its brutal dispassion, has only one face.

Jess: Do you always follow the "safe, sane, consensual" credo?

Larry: If I ever did follow any such path, I did so unintentionally.

Jess: What do you think readers will find most notable about your book(s)?

Larry: The recurring sense that no deep is too deep, and the almost neurological texture of the narrative, as if it were composed from a language pattern more consistent with thought than with speech.

Jess: In order to write on certain experiences, you would have to either research or live the life. Which describes you as the writer?

Larry: My writing has always been rooted in an organic combination of both the lived and the learned (there being only a subtle distinction between the two in my opinion).

Jess: I have a natural tendency to blend fact and the imagination too. Do you think erotica caters to a male or female market (or does gender of the target audience not matter)?

Larry: From one work to the next, the attraction or weight regarding gender will either vary or be irrelevant. In the case of my writing, my "target" audience is likely more female. Both books I mentioned are narrated by and from a female perspective (though I'm a boy).

Jess: Are there any topics you will NOT tackle, with regards to sexual behaviors and attitudes?

Larry: To my knowledge, there are no sexual "lines" I didn't cross in writing these books, to the extent that I know I've alienated large bodies of potential interest in them. But I'm an artist and a person first and a seeker of publication second.

Jess: It helps to make that clear distinction from the onset (depending on a writer's goals). Please share with us a short excerpt and blurb of your work (10-100 words).

Larry:

From The Pink Machine (Alicia speaking):

In the next painting, I'm wearing white leotards and bunched up grey legwarmers. Hair's pulled back in a ponytail. I'm posted up next to a mirror paneled wall on one foot with my other leg held up alongside my upper body so my thighs form a level line that goes from ankle to ankle(basically, the splits). The room's a small dance studio with a wood handrail running the length of the wall. My right hand's on the rail balancing me. The other is up at the base of my calf. I'm facing my reflection. I'm 37. It's a year before The End. I look at the painting the way I think you would. (I know you. I told you so on the phone today: 9-3-'05.) You see a woman breathing. A woman who can swim. A girl who lived over ten thousand days before you came along(half of those days while you were...where you've always been). You usually see all the soft, fuzzy things before you see the...Other Things. Soft cookie filled with salty pink cream. You see that I'm by myself. That I've been thinking; and you know I waste no time alone. The me in the painting is listening to The Beatles(guess what song). Outside of the moment of the painting, you see how my right hand slid from my calf down my leg. Toffee chip finger tips(or small, dead flowers) that signed their names. Came to the place between my legs. A little pile of snow that fits in my hand. One long toffee chip pushes warm wet snow between the lips. For a while, I(we) lose track of the original pretense of self admiration and I'm just fucking my finger through my leotards. I did take a few long moments to look at my Girl before I stuffed the gag in her mouth. She looked like the bottom of a white boat floating in a world where the water's made of air and the air's made of milk.

Jess: Share an excerpt of your favorite author’s work (10-100 words):

Larry:

Nothing's within reach right now, but here's a short list of my favorite authors: Chuck Palahniuk, Cormack McCarthy, Nick Toches, John Fowles, and Ursula K Le Guin.

Jess: Please let readers know where they can find out more about you/your work.

Larry:

I can be found at larry.frisby on Facebook.

Jess: Thanks so much for sharing your perspectives on the art of erotic writing :) Best wishes with both life and literature too!

* * * * *

LARRY FRISBY (in his own words):

I just turned 40. I have a very unusual story that I've always found it difficult to summarize. A detailed portrait of my life can be found in my Facebook image files. Here are the bare bones though: I'm a personal fitness trainer, have a 15 year old daughter, have been writing for 20 years, I've never sought publication of any of the seven books I've written(until this year). I write fiction fused/saturated with biography, I write philosophy, poetry and anything else that comes to me. I have no diploma or GED but have always taken both my daughter's and my own mind very seriously; I've taught her everything from existential psychology to Egyptian history and Hindu mythology.

JESS C SCOTT:

Jess is the author/artist/non-conformist behind jessINK (her indie publishing division). One of her specializations is erotic literature.

If you are reading this and you write, in whatever genre, and would like to share your views via a similar interview, just check out/fill out the form at Author Interviews. Jess will email you with the link once it is posted.

Jess is available for interviews too. Drop her a note at missfeyATgmailDOTcom :)

Monday, February 20, 2012

Author Interview, Juliana Sliema

 Author Interview #8, with author of the Hot Wheels series, Juliana Sliema!

* * * * *

Jess: Have you written erotic-themed material? Why or why not?

Juliana: I dabbled in many other genres, but had not considered erotica until recently. What repulsed me before was the awkward "purple prose" that is often used in erotica. I decided it would be a challenge. As an author you have to push yourself to do things outside your comfort zone, so I tried it. I was hooked.

Jess: How do you differentiate quality erotica (as an art form), from pornographic writing?

Juliana: For me this is a difficult difference to determine. The first drafts of my first erotic story were plain pornography. The line is extremely fine, but the most important aspects are characters and story. Do they change each other? Do they become different? Do they stay the same? Why? The sex also should be necessary for the story. If the plumber comes over it is plausible that the lonely housewife wants to sleep with him, but the reader has to understand the reasons. The better the reader understands the reasons the farther removed from pornography it is. To be honest, I'm still struggling myself on where to draw the line.

Jess: That struggle could be part of the creative tension ;) I shall now ask how you would respond to the following statement:
“I am very put off by the notion of 'literate smut', as if any porn is intellectual, that erotica needs to have a high and low art distinction. I think this is just a pretentious way for people to excuse their taste for pornography.”
-- originally posted on http://www.barbelith.com/topic/925

Juliana: I doubt the person that made the statement has ever tried to write erotica. The elements that make a good erotica story are the same elements that make any other story good. The only difference is the focus of the action, but the same goes for sci-fi, or fantasy. The focus in sci-fi lies on technology, in fantasy it lies on magic, in erotica on sex and pleasure. Just as there is bad sci-fi and fantasy, there is bad erotica, which in many cases is no more than pornography, simply describing the motions.

Jess: What inspired you to write erotic stories/poems/etc.?

Juliana: I have written as long as I can remember. Boredom inspired me initially, I would write in class, in meetings, conferences, late sleepless nights. There was a point where I was no longer bored and then I stopped writing, until I picked up a short story book by Neil Gaiman. He inspired me to start again.

Jess: Do you always follow the "safe, sane, consensual" credo?

Juliana: Not always. Let's be honest, life doesn't follow those rules, so why would the book? I ignore the safe part in most stories, because the risk adds to the thrill and it is a fantasy, so it is always safe. Sane goes out the window pretty quickly for any author. I do try to keep it consensual, but it is rare where the power distribution between to people is completely equal. Straight up kidnapping and abuse rape is completely out of the question for me. I just don't feel comfortable writing about that in a positive light.

Jess: ITA (I totally agree) with much of what you said! What do you think readers will find most notable about your book(s)?

Juliana: Readers will be surprised by how much they like the characters and remember them. They might also be caught off guard by a plot twist here and there. Also, the sex it pretty hot, but that goes without saying. It is probably harder to write sex that isn't hot and steamy.

Jess: In order to write on certain experiences, you would have to either research or live the life. Which describes you as the writer?

Juliana: Living all the events of my characters is impossible. I just don't have the time and resources. Of course, I have the advantage of a cosmopolitan background and as a global nomad have been exposed to a lot. Research is a great way to fill in the gaps.

Jess: Cool -- I love the whole cosmopolitan/global nomad thing too. Do you think erotica caters to a male or female market (or does gender of the target audience not matter)?

Juliana: As males are generally more visual, I expect erotica to cater more to the female market. A male audience is likely to overlook erotica writing. Part of that is social expectations and the other part is the fact that males are exposed to different erotic stimuli growing up. Overall, I think both genders can equally enjoy it, I just think the female audience is more likely to turn to erotica.

Jess: Are there any topics you will NOT tackle, with regards to sexual behaviors and attitudes?

Juliana: As I hinted as before there are some sexual behaviors I will not tackle: rape and incest. I realize there is a market for this, but I don't feel comfortable writing it. From a literary point of view that would probably not be good for the writing in any case.

Jess: Please share with us a short excerpt and blurb of your work (10-100 words).

Juliana:

Dominka is drawn to Andel, a cultured and sophisticated man hiding a dark secret. She is determined to uncover the secrets he holds and relishes the fear he evokes around her. She isn't exactly a good girl either, though.

-- Eternal Vengeance by Juliana Sliema

Jess: Share an excerpt of your favorite author’s work (10-100 words):

Juliana:

There's never been a true war that wasn't fought between two sets of people who were certain they were in the right.

-- American Gods by Neil Gaiman

Jess: Please let readers know where they can find out more about you/your work.

Juliana:

My character Rosie has taken on a life of her own and started her own twitter. She sometimes has interesting things to say: https://twitter.com/#!/RosietheTrucker

Also check out my amazon author page, as soon as my website is ready it will be posted there: http://www.amazon.com/Juliana-Sliema/e/B006YC6ICM

Jess: Thanks so much for sharing your perspectives on the art of erotic writing :) Best wishes with both life and literature too!

* * * * *

JULIANA SLIEMA:

Juliana Sliema knows the value of keeping the mystery alive. She has traveled the world. Now she writes erotica and has melted laptops and started fires ever since.

Juliana on Twitter and Amazon.

JESS C SCOTT:

Jess is the author/artist/non-conformist behind jessINK (her indie publishing division). One of her specializations is erotic literature.

If you are reading this and you write, in whatever genre, and would like to share your views via a similar interview, just check out/fill out the form at Author Interviews. Jess will email you with the link once it is posted.

Jess is available for interviews too. Drop her a note at missfeyATgmailDOTcom :)

Tuesday, November 29, 2011

Author Interview, Vanessa Wu


 Author Interview #7, with sophisticated/cultured erotica writer Vanessa Wu!

* * * * *

Jess: Have you written erotic-themed material? Why or why not?

Vanessa: Yes, all my writing has an erotic theme. Some of it is quite subtle and literary. Some of it is more raunchy, explicit and crude. That's because I have different moods and like to explore different situations. I dwell on erotic themes because it's my experience that sexual feelings have a profound effect upon character and I'm deeply interested in the tension between what we desire and what we do. Many of my stories contain the idea of liberation, as if from a spiritual cage. Desire is quite often caged in human society. I toy with the idea of freeing the caged animal, unleashing it and finding ways to live with it -- so the lion can lie down with the lamb, as William Blake put it.

Jess: I'm deeply interested in that tension too ;) How do you differentiate quality erotica (as an art form), from pornographic writing?

Vanessa: Pornographic writing serves only one purpose which is to help someone experience a sexual situation in lurid and graphic detail while he or she is masturbating, either alone or with another. Writing can often do this better than movies because it can suggest psychological twists that intensify the situation. The reader also brings his or her own imagination to it, enriching the experience with personal memories and desires.

Pornographic writing is often seen as bad but, in my view, there is simply pornography that works for me and pornography that doesn't. In addition, I prefer stories with a certain amount of depth. In order to engage my imagination, a story has to have an element of maturity and sophistication. I frequently read stories about sexual experiences because I am interested in the emotional side of sex. This is the key for me.

Quality erotica touches upon wider issues to do with sex and, in particular, incorporates an emotional truth. I like all stories to have a fundamental human reality and wisdom, the kind of wisdom you only find in the very best fiction.

Jess: Yes, I think the way the human condition is explored/presented will determine whether a piece of creative work is shallow or sophisticated. I shall now ask how you would respond to the following statement:
“I am very put off by the notion of 'literate smut', as if any porn is intellectual, that erotica needs to have a high and low art distinction. I think this is just a pretentious way for people to excuse their taste for pornography.”
-- originally posted on http://www.barbelith.com/topic/925

Vanessa: I don't excuse my taste for pornography. I like pornography unashamedly. It is a technical challenge to write something that can help someone achieve an orgasm. It's a skill I admire. Nevertheless, I do make distinctions between good and bad pornography. I skip and pass over a lot of pornography I encounter. Some of it disgusts me, sometimes because of its content and sometimes because of its style.

Jess: A purveyor of good taste :) What inspired you to write erotic stories/poems/etc.?

Vanessa: I have always written. I think the question is really, what inspired me to publish. I decided to do it because the opportunity arose. If we still had an old-fashioned publishing model in which we were required to submit work to aloof magazines and literary agents, I wouldn't do it. The epublishing revolution gave me the opportunity to write what I wanted without having to pass it through the medium of a literary editor who might not like it. I didn't want to have to justify, explain or defend it. I just wanted to do it.

Jess: *Thank goodness for the epublishing revolution...* Do you always follow the "safe, sane, consensual" credo?

Vanessa: No. Desire isn't sane. Why pretend it is? When you are in the throes of sexual passion you are temporarily insane. There are also people who want to be desired. If they insisted on safety they would wear a chastity belt and lock themselves in the house. I also think that society tries to lock down people's sexual feelings. Sometimes it takes force to free them. Some of my writing has an edge.

Jess: Most of the super-commercial/commoditized stuff lacks serious edge anyway. What do you think readers will find most notable about your book(s)?

Vanessa: It is very difficult to be objective about your own work. I often don't know why anyone would want to read what I've written. But readers tell me that once they have read something by me they want to read everything. I think it's partly because my writing has a cinematic quality and partly because it's elegant and tasteful; but probably the main reason is that it is very real, based very much on my personal experiences. I put a lot of myself into what I write and people respond to that.

Jess: And that's perhaps the best motivation to keep writing ;) In order to write on certain experiences, you would have to either research or live the life. Which describes you as the writer?

Vanessa: Well, I do both. As I said, a lot of what I write is based on my personal experiences. But, as a writer, your personal experience is not enough. You need to ask questions. You need to find out how other people feel. There are some experiences that you couldn't possibly invent because they are so unexpected and so far from your own personal points of reference. I have learned quite a lot since I've been publishing my work. People write to me and tell me things that are a revelation.

Jess: Do you think erotica caters to a male or female market (or does gender of the target audience not matter)?

Vanessa: There is a wide variety of erotica available, some of it tailored to specific tastes, but I find it very difficult to classify it in terms of gender. My experience is that both men and women read it. People of all ages. They take different things from it. People don't just read it for sexual gratification. They are curious. They want to learn, to broaden their experiences. People read erotica for the same reason they read literary fiction, to widen their experiences and deepen their understanding.

Jess: Are there any topics you will NOT tackle, with regards to sexual behaviors and attitudes?

Vanessa: Yes. For the moment anyway. As I writer my job is to understand others. To understand them and to recreate their experiences. If I think seriously about any taboo topic, I can get into the head of the protagonists. I could feasibly write an incest story or a story about a man who fornicates with a goat. I could even write it from the goat's point of view. But I don't want to. For me that would be getting into the realm of literary fiction. It's William Faulkner territory. I don't want to go there.

Jess: *Recalls reading "The Sound and the Fury"...* Please share with us a short excerpt and blurb of your work (10-100 words).

Vanessa:

Love Has No Limits is a short novel of 40,000 words about a young Chinese woman exploring her sexuality through encounters in Amsterdam and Berlin. She is willing to try new things with new people. She is adventurous and vulnerable. She wants to push against the limits of love, to find her boundaries. It is fast-paced but also quite thoughtful and gentle in places. I am very proud of it and I think it's a good introduction to my work and to me. It tells you a lot about who I am.

Jess: Sounds very beautiful and elegant/sophisticated (like a good gourmet chocolate). Share an excerpt of your favorite author’s work (10-100 words):

Vanessa:

This is from a story by Nikki Magennis called "The Sound of One Hand Clapping" in a collection called Hurts So Good edited by Alison Tyler.

"Now I see for sure where we are. Now with the pain and the bliss melding under my skin, everything becomes clear. I no longer need to ask any questions, because the answer is contained within the question. The seed of him is the arrow, the pulsing and aching of my cunt as it welcomes his cock is the arrow. We are pointing toward each other and beyond to nowhere. We are agreed at last to stay here, right where we are, fucking on the brink of beautiful."

Jess: Please let readers know where they can find out more about you/your work.

Vanessa:

BLOG
http://intensesensations.wordpress.com/

FACEBOOK
http://www.facebook.com/profile.php?id=100002597547822

TWITTER
http://twitter.com/#!/van_wu

LOVE HAS NO LIMITS (UK)
http://www.amazon.co.uk/Love-Has-No-Limits-ebook/dp/B005IAK4BM

LOVE HAS NO LIMITS (US)
http://www.amazon.com/Love-Has-No-Limits-ebook/dp/B005IAK4BM

Thank you for having me, Jess. It has been a great pleasure for me to be here and share my thoughts about erotica with you. I admire your work and wish you well with your literary goals.

Jess: Thanks for your kind comments, Vanessa, and thanks so much for sharing your insightful perspectives on the art of erotic writing :) Best wishes with your personal + literary goals too!

* * * * *

VANESSA WU:

I was born in Fuzhou, China and passed through many countries in Europe on my way to England. I now live and work in London. I have worked as a Chinese teacher both in China and in England. I studied English at Fudan University in Shanghai and always dreamed of coming to England as a child. I am so glad I fulfilled my dream and right now I couldn't be happier. I try to forget about the world's problems and just enjoy each day as it comes.

Vanessa Wu on WordPress | Facebook | Twitter

JESS C SCOTT:

Jess is the author/artist/non-conformist behind jessINK (her indie publishing division). One of her specializations is erotic literature.

If you are reading this and you write, in whatever genre, and would like to share your views via a similar interview, just check out/fill out the form at Author Interviews. Jess will email you with the link once it is posted.

Jess is available for interviews too. Drop her a note at missfeyATgmailDOTcom :)